BlackStar Film Festival, a special 12@12 at the Arthur Ross Gallery, and an alcohol-themed tour through Penn Museum stock up late-summer events in August.
A forthcoming study from the Annenberg School for Communication analyzed over 22,000 pornography websites and found that 93% of them were sending user data to at least one third party.
Roderick Coover, whose work merges cinema, science, and history, is the 2019 Mellon Artist-in-Residence for the Penn Program in Environmental Humanities (PPEH). His recent film “Toxi-City: A Climate Change Narrative” screened at PPEH’s “Teaching and Learning with Rising Waters” event.
Happening around campus this May: the second-annual Sachs Grant Awards, the Philadelphia Children’s Festival, and the screening of a 1930s Hollywood B-movie.
Under his leadership, the school is poised to further engage in the pressing cultural, political, and ideological conversations happening in today’s unprecedented media landscape.
Happening around campus this April: an appearance by “Sorry to Bother You” director Boots Riley, a talk from Inquirer critic Inga Saffron, and the 10th annual West Craft Fest.
In the latest episode of Penn Today’s ‘Office Hours’ podcast series, a casual chat with Kathy DeMarco Van Cleve, senior lecturer in Cinema and Media Studies.
A documentary film by Penn junior Sonari Chidi and a panel discussion at Perry World House focused on the depiction of refugees and immigrants in the media.
At the Lightbulb Cafe, cinema studies senior lecturer Meta Mazaj speaks about the globalization of cinema and her Oscar picks in anticipation of the 91st Academy Awards.
Researchers at the Annenberg Public Policy Center compare the CW Network show “Jane the Virgin” and the original Spanish-language telenovela “Juana la Virgen” and find an increase in risky adolescent behavior in the adaptation.
Valerie Ross of the Critical Writing Program weighs in on the tricky relationship between studying problematic public figures and recent calls for accountability from the #metoo and Time’s Up movements.
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Peter Decherney of the School of Arts and Sciences and the Annenberg School for Communication contextualizes the impact of Garrett Brown’s Steadicam on the art of cinematography. (Video)
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