English

Who, What, Why: Jamie-Lee Josselyn

As associate director for recruitment for the Creative Writing Program, Jamie-Lee Josselyn visits high schools across the country to talk with student writers about opportunities at Penn.

Louisa Shepard

Evoking an ancient world

The medieval English epic poem “Beowulf” is brought to life in a musical performance by Benjamin Bagby and academic discussion through a partnership among the Penn Live Arts, the Libraries, and the School of Arts & Sciences. 

Louisa Shepard

ModPo celebrates its first decade

Modern and Contemporary Poetry was founded by Al Filreis of the School of Arts & Sciences at Kelly Writers House in 2012, and now has 69,000 people enrolled globally. Poets and participants came to campus to celebrate the 10th anniversary.

Louisa Shepard



Media Contact


In the News


Chronicle of Higher Education

The best scholarly books of 2023

Jed Esty of the School of Arts & Sciences is lauded for his 2022 book, “The Future of Decline,” which compares the current decline of U.S. power to the dissolution of the British empire.

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BBC

The Iliad: How modern readers get this epic wrong

In a Q&A, Emily Wilson of the School of Arts & Sciences discusses what the Iliad can tell us about modern society, from masculinity to environmentalism.

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The Washington Post

To his final days, my father always knew how to pull off the landing

In an Op-Ed, Paul Hendrickson of the School of Arts & Sciences reflects on his father’s legacy as a pilot and their complex relationship.

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Philadelphia Magazine

Why are 30,000 people studying poetry online with this guy?

Al Filreis of the School of Arts & Sciences is spotlighted for his popular online course on modern poetry.

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Financial Times

American mockery of Britain masks a deeper insecurity

Jed Esty of the School of Arts & Sciences says that Americans use Britain as a metaphor, a cultural projection of American anxiety.

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ABC Australia

The new Bridgerton prequel is ‘fiction inspired by fact’. So who was the real Queen Charlotte?

Ania Loomba of the School of Arts & Sciences says that a person historically described as a Moor or “blackamoor” wasn’t necessarily Black.

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