Heather A. Davis

Director, News Publications

High-tech wall that’s a wrap

James Timberlake GAr’77 calls building materials with only one function “dumb.” Materials that contain embedded technology and have multiple functions are therefore “smart.” A “smart” wall, for example, can contain electronic data while screening the light, or it can block wind and simultaneously give an accurate temperature reading.

Heather A. Davis

Innovators welcome at Weiss Tech House

A student with a novel idea walks into a state-of-the-art facility to use the computer between classes. While there, the student bumps into a classmate with a knack for marketing. They start talking about ideas, and decide to partner on a project.

Heather A. Davis

Scholar peers into the feminist generation gap

Generation gaps are often cited as the reason for different tastes in cars, clothing and music. Now, Jason Schnittker, the Janice and Julian Bers Assistant Professor of Sociology, has asserted that a slight generation gap explains the decrease among younger women who identify themselves as feminists.

Heather A. Davis

UPM gets Civic Center treasures

When Ginny Greene and her colleagues at the University of Pennsylvania Museum of Archeology and Anthropology opened boxes from the Civic Center Museum, they found items as wildly diverse as coconuts, fibers and textiles nestled side by side. The variety was staggering.

Heather A. Davis

The Jane Austen world of baboon society

Humans are hardly the only animals who can discern the nuances of rank and familial status. According to findings from Robert Seyfarth, chairman of the Department of Psychology, and Dorothy Cheney, professor of biology, baboons recognize each other through an intricate system of relationships that reflect rank and hierarchy between and within families. These findings were reported in the Nov.

Heather A. Davis

ICA’s early years still Green in his mind

Sam Green claims he didn’t know what he was doing when he arrived in 1965 as the first full-time director of the Institute of Contemporary Art. Despite experience working at New York’s conveniently named Green Gallery and mounting one “pre-pop art” show at Wesleyan University, Green dryly remarked that he landed the job this way: “Well, I don’t think there were any other candidates.”

Heather A. Davis