10.20
Louisa Shepard
News Officer
lshepard@upenn.edu
Art History
Exploring monuments of trauma in Africa, the Caribbean, and the Black Atlantic
Exploring monuments of trauma in Africa, the Caribbean, and the Black Atlantic
Stephanie Gibson, a doctoral candidate in the history of art, explores in her dissertation how museums and monuments interpret sites with painful histories to help people move past the trauma that occurred there.
Artist and professor David Hartt is ‘of the moment’
Artist and professor David Hartt is ‘of the moment’
This year alone four museums and two galleries are featuring work by artist David Hartt of the Stuart Weitzman School of Design, including currently at the Philadelphia Museum of Art.
Accessing an artistic archive as an ICA summer intern
Accessing an artistic archive as an ICA summer intern
Rising senior Min Park, an art history major from South Korea, is organizing the book and image archives as the summer curatorial intern at the Institute of Contemporary Art, and helping plan a September reopening with two new exhibitions.
In Zoë Ryan, a collaborative new leader for the ICA
In Zoë Ryan, a collaborative new leader for the ICA
Zoë Ryan began her role as director of the Institute of Contemporary Art in November. Here, a look at Ryan’s time at the ICA so far and what’s ahead for the institution.
New Arthur Ross Gallery exhibition focuses on introspection and contemplation
New Arthur Ross Gallery exhibition focuses on introspection and contemplation
The Arthur Ross Gallery’s new exhibition features 17th-century Dutch genre paintings paired with rare books from the Penn Libraries collection. On display until July 25, “An Inner World” focuses on contemplation.
Mystics and visionaries: A fine arts seminar
Mystics and visionaries: A fine arts seminar
The Weitzman School’s Jackie Tileston’s seminar looks at the ways in which alternative forms of knowledge have fed artistic practices, both in the past and for contemporary artists in cultures around the globe.
National myths and monuments
National myths and monuments
Season two, episode four, of the OMNIA podcast “In These Times” features three faculty discussing the movement to reexamine monuments and the history and myths they symbolize, and how the public should think about the artworks in public squares.
The Sachs Program announces 2021 arts grants
The Sachs Program announces 2021 arts grants
The Sachs Program for Arts Innovation will support 25 new Penn arts projects, totaling $177,000 in funding.
Gwendolyn DuBois Shaw on the future of Cuban politics, economy, and art
Gwendolyn DuBois Shaw on the future of Cuban politics, economy, and art
On April 19, Raúl Castro stepped down from his role as the head of Cuba’s communist party. Penn Today talked with Gwendolyn DuBois Shaw of the School of Arts & Sciences about the future of Cuban politics, the economy, and art after the close of the Castro era.
Monument Lab app expands space and time at Art Museum steps
Monument Lab app expands space and time at Art Museum steps
OverTime, a new augmented reality app that weds public art and history in a personal visual format gives users access to interactive, self-guided tours of public spaces, and invites users to add stories of their own.
Media Contact
In the News
The New York Times
John Singer Sargent’s secret muse
Gwendolyn DuBois Shaw of the School of Arts and Sciences spoke about the practice of updating information about well-known artworks in museum wall labels and catalogs. “Curators and art historians have been interested in trying to reveal more—in part because there’s more interest in having a robust understanding of the past,” she said.
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The New York Times
One fateful night with Donny Hathaway
Guthrie Ramsey of the School of Arts and Sciences said that when evaluating artists with mental illnesses, “we should simply put it into context, like we do other aspects of their upbringing, rather than making it some mysterious gift that they seem to be bestowed.”
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The New York Times
How a businesswoman became a voice for art’s black models
Gwendolyn DuBois Shaw of the School of Arts and Sciences spoke about the importance of contextualizing “African-American art and visual culture and artistic production.” She went on to note that many black students may not pursue the field of art history due to poor representation in faculty and curriculum.
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6ABC.com
Video: Penn Museum’s Middle East gallery
The Penn Museum has unveiled its gallery of Middle Eastern art and antiquities. The new gallery, which covers nearly 10,000 years of history, is the first in a series to be installed at the Museum during the next several years.
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Philadelphia Inquirer
Visit the Penn Museum’s Sphinx this Weekend, or Wait Another 4 to 6 Years
The Sphinx at the Penn Museum will be on display for a final weekend prior to a four- to six-year renovation.
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Associated Press
Iraqi, Syrian Guides Bring Views to Philadelphia Museum
The Penn Museum has welcomed four new participants to Global Guides, a program designed to help contextualize historic content from the Middle East. “People who come from these places, even in contemporary times, can find a connection with the objects,” said Ellen Owens, the museum’s director of learning programs.
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