
People need art, Paul says. “It’s life-changing. It’s a way for people to feel catharsis.”
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People need art, Paul says. “It’s life-changing. It’s a way for people to feel catharsis.”
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Charles Sheeler’s Pennsylvania Landscape (1925) was among the artworks from the Philadelphia Museum of Art that Katherine Cotter and James Pawelski included in virtual galleries for a study.
(Image: Courtesy of the Philadelphia Museum of Art)
“Where I Learned to Look: Art from the Yard.”
(Image: Constance Mensh)
Gwendolyn DuBois Shaw, Class of 1940 Bicentennial Term Professor in the Department of Art History in the School of Arts & Sciences, and inaugural faculty director of the Arthur Ross Gallery.
(Image: Eric Sucar)
Jonathan Katz, an associate professor of practice in the Department of the History of Art, pictured inside his West Philadelphia home. Katz led the effort to launch the world’s first graduate queer art history fellowship at Penn.
(Image: Scott Spitzer)
David Brownlee of the School of Arts & Sciences says the goal of the City Beautiful movement was to create a new American aesthetic, from industrial landscape to urban paradise.
Qi Liu, an anthropology and art history major, has participated in every undergraduate program the Penn Museum has to offer and is completing two senior theses.
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Claude Monet’s The Japanese Footbridge, 1899.
(Image: Courtesy National Gallery of Art, Washington)
Brian Rose of the School of Arts & Sciences and Penn Museum has led excavations at the ancient Turkish city of Gordion since 2007.
For almost 100 years—except for the three it went missing—one of the world’s largest crystal balls has occupied the Penn Museum’s Asia Galleries.
(Image: Penn Museum)