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Center for Latin American and Latinx Studies

A Q&A with Penn’s Latin American Studies Librarian
Brie Gettleson leans her elbow on a shelf in the library stacks

Brie Gettleson, Latin American studies librarian in the Center for Global Collections, is now offering office hours at the Center for Latin American and Latinx Studies.

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A Q&A with Penn’s Latin American Studies Librarian

Brie Gettleson speaks about her role as a subject librarian with the Penn Libraries and liaison for the Center for Latin American and Latinx Studies.

Kristina García

Penn in Latin America and the Caribbean showcases University scholarship
The interior main room of Perry World House, where conference attendees listen to a presentation

The 7th Penn in Latin America and the Caribbean (PLAC) conference, organized by an interdisciplinary group of faculty, staff, and students, showcased public and community engaged scholarship across the region and its diaspora.

(Image: Janeth Zaldivar)

Penn in Latin America and the Caribbean showcases University scholarship

The seventh Penn in Latin America and the Caribbean conference centered on the theme of “Public and Community Engaged Scholarship in Latin America, the Caribbean, and Its Diaspora.”

Kristina García

How is the world working to save biodiversity?
Three women sit at tables in front of an audience. A Zoom screen with three additional speakers is behind them.

Kathleeen Morrison, Fernanda Jiménez, and Julie Ellis present to the Penn community at CLALS. The program was also available to online participants; behind them, Carolina Angel Botero, Emilio Latorre, and Keith Russell present via Zoom.

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How is the world working to save biodiversity?

A Sept. 18 panel hosted by the Environmental Innovations Initiative and the Center for Latin American and Latinx Studies discussed local and global initiatives.

Kristina García

Ecuador’s state of emergency
A military vehicle drives through a hilly residential neighborhood in Quito, Ecuador. Two women, one holding hands with a young child, walk alongside on the street.

Soldiers patrol a residential area of northern Quito, Ecuador, on Jan. 11, 2024. President Daniel Noboa decreed Monday a national state of emergency due to a wave in crime, a measure that lets authorities suspend people's rights and mobilize the military. The government also imposed a curfew.

(Image: AP Photo/Dolores Ochoa)

Ecuador’s state of emergency

In a Q&A, political scientist Jane Esberg discusses democracy and organized crime in Latin America. 

Kristina García

Showcasing an Andean cosmovision
A group of people gather in front of a colorful mural depicting a series of stylized birds. Confetti rains.

Roberto Mamani Mamani (in grey jacket at center) celebrates the dedication of his new mural, “Mallkuanka—Vuelo Surnorte De Colors,” or the “South-North flight of colors.” The mural conveys the power of people, nature, and animals living in harmony with one another and giving back to Mother Earth, says Catherine Bartch.

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Showcasing an Andean cosmovision

In a monthlong residency, Aymara artist Roberto Mamani Mamani met with students, gave a lecture, hosted a workshop, and painted a mural in South Philadelphia.

Kristina García

Dispossessions and race in the Americas
A group of Native Americans standing in a row. The trees behind are bare; it looks to be cold.

Belén Unzueta and her students looked at the enrollment cards the U.S. government gave Native Americans. It’s striking, because the cards list the blood quantum, she says.

(Image: Harris & Ewing, photographer/Library of Congress)

Dispossessions and race in the Americas

Belén Unzueta is teaching a seminar on the historical account of race and ethnicity in the Americas as a Penn-Mellon Just Futures Initiative graduate fellow.

Kristina García

Bolivia in Philadelphia: Mural Arts commissions renowned artist Roberto Mamani Mamani
Philadelphia Inquirer

Bolivia in Philadelphia: Mural Arts commissions renowned artist Roberto Mamani Mamani

Catherine Bartch of the School of Arts & Sciences, who first encountered Roberto Mamani Mamani’s art in Bolivia, is noted for encouraging the Center for Latin American and Latinx Studies and Mural Arts to fund Mamani Mamani’s mural in Philadelphia.

The Chilean coup, 50 years later
A row of soldiers lying on their stomachs take cover as La Moneda, the Chilean presidential palace, is bombed.

On Sept. 11, 1973, soldiers supporting the coup led by Augusto Pinochet took cover as bombs are dropped on the Presidential Palace of La Moneda in Santiago, Chile.

(Image: AP Photo/Enrique Aracena)

The Chilean coup, 50 years later

Two conversations mark the 50th anniversary of the military takeover on Sept. 11, 1973, discussing its political and historical implications.

Kristina García

Who, What, Why: Francisco Díaz on anthropology and the modern Maya
Francisco Diaz at the Penn Museum in front of a carved stone pillar

(Image: Eric Sucar)

Who, What, Why: Francisco Díaz on anthropology and the modern Maya

Francisco Díaz studies Maya contributions to archeology at a time when Indigenous people were viewed as little more than laborers. His research shows that Indigenous people were archaeologists in their own right, working season after season with specialized skills to excavate the past.

Kristina García

Who, What, Why: Kimberly Cárdenas on intersectional politics in political science
A woman in a trench coat smiles at the camera

Kimberly Cárdenas, a doctoral candidate in political science, studies the political engagement of LGBTQ+ Black and Latinx populations.

Who, What, Why: Kimberly Cárdenas on intersectional politics in political science

Doctoral candidate Kimberly Cárdenas considers the growing numbers of LGBTQ+ Black and Latinx Americans—and how they participate in the political process.

Kristina García