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Under his leadership, the school is poised to further engage in the pressing cultural, political, and ideological conversations happening in today’s unprecedented media landscape.
Happening around campus this April: an appearance by “Sorry to Bother You” director Boots Riley, a talk from Inquirer critic Inga Saffron, and the 10th annual West Craft Fest.
In the latest episode of Penn Today’s ‘Office Hours’ podcast series, a casual chat with Kathy DeMarco Van Cleve, senior lecturer in Cinema and Media Studies.
A documentary film by Penn junior Sonari Chidi and a panel discussion at Perry World House focused on the depiction of refugees and immigrants in the media.
At the Lightbulb Cafe, cinema studies senior lecturer Meta Mazaj speaks about the globalization of cinema and her Oscar picks in anticipation of the 91st Academy Awards.
Researchers at the Annenberg Public Policy Center compare the CW Network show “Jane the Virgin” and the original Spanish-language telenovela “Juana la Virgen” and find an increase in risky adolescent behavior in the adaptation.
Claire Sliney is a co-executive producer of one of five films nominated for an Academy Award in the Documentary Short Subject category. “Period. End of Sentence.” explores the stigma of menstruation for girls in India and Sliney’s work to address the issue.
Penn President Amy Gutmann joined 26 other national leaders to consider why the age of Facebook and “fake news” has pushed faith in government and the media to historic low, and how to mend the rift.
Works from 1923 have entered the public domain after a 20-year extension on copyright protections. The Penn Libraries is digitizing unique works to share.
With many taking time off over the holidays, Rahul Mukherjee of cinema studies shares his thoughts on binge-watching television.
Louisa Shepard
Senior News Officer
lshepard@upenn.edu
Amir Tohidi of the Wharton School says his work on detecting media bias was inspired in part by the “fake news” phenomenon.
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Jessa Lingel of the Annenberg School for Communication says that online music fandoms have always been places where people make sense of stigmas.
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Victor Pickard of the Annenberg School for Communication says that there’s a greater need for public broadcasting than ever before, especially as entire sectors of the commercial news media system are crumbling.
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Victor Pickard of the Annenberg School for Communication says that the ad-revenue business model for journalism has collapsed and can’t be replaced with paywalls.
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Sarah Banet-Weiser of the Annenberg School for Communication says that shows like “Call Her Daddy” can be useful for building solidarity among women and helping them understand what it means to be a sexual subject, not a sexual object.
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The Penn Center for Science, Sustainability, and the Media will convene with PBS, WHYY, community leaders, science communicators, journalists, and leading scientists at an upcoming Philadelphia panel to discuss the value of storytelling to educate about climate change.
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