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Art History

Kroiz exhibit illuminates the abstract in modern Japanese architecture 
Critical Abstraction Japan Exhibit

Reiyukai Shakaden Temple, Tokyo, by Takenaka Corp. Architects; photo by Vincent D. Feldman, 2008. Pictured in the glass case: Bruno Taut’s 1934-illustrated “Thoughts on the Visit to Katsura.”

Kroiz exhibit illuminates the abstract in modern Japanese architecture 

“Critical Abstractions: Modern Architecture in Japan, 1868-2018,” on display through Sept. 24, challenges prevailing ideas on the reasons behind the international appeal of modern architecture made in Japan.
Video: Penn Museum’s Middle East gallery
6ABC.com

Video: Penn Museum’s Middle East gallery

The Penn Museum has unveiled its gallery of Middle Eastern art and antiquities. The new gallery, which covers nearly 10,000 years of history, is the first in a series to be installed at the Museum during the next several years.

Stains Alive
Penn Libraries Fellow Erin Connelly is part of the Stains Alive research project.

Penn Libraries fellow Erin Connelly (left) and colleague Alberto Campagnolo, of the Library of Congress, prepare a medieval manuscript for multispectral imaging at Penn as part of a national research project to analyze stains. (Photo by Eric Sucar)

 

Stains Alive

For Libraries fellow Erin Connelly, stains are some of the most exciting discoveries in her study of medieval manuscripts. She is part of a national team analyzing stains in medieval texts using modern multispectral imaging. An exhibition at Van Pelt-Dietrich Library displays the researchers’ discoveries.
English professor explores poetic expressions of Japanese-American internment
Japanese Internment--Library of Congress A photograph of the Manzanar Relocation Center, located in California, from the perspective of a tower. Courtesy of The Library of Congress Print and Photographs Division

English professor explores poetic expressions of Japanese-American internment

Josephine Park, professor of English and interim director of the Asian American Studies Program, on the poetry that originated in Japanese-American internment camps, and poetry by incarcerated populations.
Monumental project rethinks public art in Philadelphia
Monument Lab

Monumental project rethinks public art in Philadelphia

As part of Monument Lab, a Philadelphia public art and history project, three PennDesign Fine Arts professors joined artists and residents to answer the question, ‘What makes a monument in the 21st century?’

Jacquie Posey

Iraqi, Syrian Guides Bring Views to Philadelphia Museum
Associated Press

Iraqi, Syrian Guides Bring Views to Philadelphia Museum

The Penn Museum has welcomed four new participants to Global Guides, a program designed to help contextualize historic content from the Middle East. “People who come from these places, even in contemporary times, can find a connection with the objects,” said Ellen Owens, the museum’s director of learning programs.

The world on view
Penn Professor André Dombrowski teaches an art history curatorial class.

The 13 students in André Dombrowski’s history of art curatorial class researched and chose more than 100 objects from 14 institutions, including the Penn Museum Archives, to represent World’s Fairs from 1851 to 1915 in an Arthur Ross Gallery exhibition. 

The world on view

The world is on view at the Arthur Ross Gallery, interpreted by 13 students in André Dombrowski’s history of art curatorial class. They chose more than 100 objects from 14 institutions to represent World’s Fairs from 1851 to 1915.
At What Point Does Crying ‘Lynching’ Trivialize the Word?
The Washington Post

At What Point Does Crying ‘Lynching’ Trivialize the Word?

Herman Beavers of the School of Arts and Sciences analyzed the problematic use of the word “lynching” to describe celebrities and politicians convicted in the court of public opinion. Beavers said that casual use of the term diminishes the long and brutal history of anti-black violence in the U.S.

A Wish Tree for Peace grows on College Green
Wish_Tree

A Wish Tree for Peace grows on College Green

One of a series of art installations designed by Yoko Ono, the interactive exhibit had the public pause, reflect, and share their vision for harmony and unity with handwritten tags on young tree branches.