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Art Matters
Art Matters: ‘Self-portrait’ by William Carlos Williams
While most know Williams Carlos Williams for his modern poetry, one of his oil paintings hangs in a reading room on Penn's campus.
Art Matters: ‘Two Lines’ by George Rickey
A kinetic sculpture positioned on a hillside at Morris Arboretum & Gardens is designed to move with the wind.
Art Matters: ‘In the Garden’ by Jennifer Bartlett
During these hot days of summer, the cool of a garden water feature depicted in “In the Garden” by artist Jennifer Bartlett could provide some respite. Made of 270 one-foot-square steel plates painted with enamel, sections of the mural are installed in five locations in Van Pelt Library.
Art Matters: Painter Jacob Lawrence’s ‘Forward Together’
The powerful print depicts Harriet Tubman, traveling at night and following the North Star, guiding a group of enslaved African Americans on their perilous journey to freedom on the Underground Railroad.
Art Matters: Sam Maitin’s ‘Celebration’ mural
The artist known as Philadelphia’s “Mayor of the Arts” created the 17 colorful, playful pieces specifically for the Annenberg School for Communication.
Art Matters: Jenny Holzer’s ‘125 Years’
A new installment in the ‘Art Matters’ series is a historical meander through en plein air text-based art and landscape design.
Art Matters: ‘Fields of Transformation’ by Claudy Jongstra
“Fields of Transformation,” a monumental textile mural in the Van Pelt-Dietrich Library Center, symbolizes knowledge evolving into wisdom.
Art Matters: A monumental steel sculpture on Shoemaker Green
“Atmosphere and Environment XII” by Louise Nevelson, an 18-foot-high geometric steel structure, was moved to Penn’s campus from the Philadelphia Museum of Art in 2019.
Art matters: ‘Ava’ by Shirin Neshat
A new installment in the “Art Matters” series examines “Ava” by photographer and filmmaker Shirin Neshat, on view at Perry World House.
Art Matters: Hand-coiled clay jar by Pueblo artist Les Namingha
A hand-coiled clay jar by pueblo artist Les Namingha is on view in the Penn Museum’s Native American Voices gallery. The abstract surface design references water and its use in the U.S. Southwest.