Researchers, including Rahul Singh (left), in the Daniell lab’s greenhouse where the production of clinical grade transgenic lettuce occurs.
(Image: Henry Daniell)
“Fields of Transformation” is an abstract felted mural described by the artist as a visual representation of knowledge evolving into wisdom as it moves from the head to the heart. To realize this vision, Claudy Jongstra, a textile artist from the Netherlands, used more than 10,000 silk stitches and hand-spun wool from Drenthe Heath sheep, a breed native to Northern Europe.
The work utilizes the wool’s natural range of grey and cream, along with plant dyes created from indigo, woad plant, and golden onion skin. Jongstra’s team felted the dyed wool and alpaca fibers outside her Dutch farmhouse, later assembling the piece with silk whipstitching on site in Van Pelt, says Sarah Reidell, the Margy E. Meyerson Head of Conservation. “Fields of Transformation” encompasses three panels designed specifically for the Moelis Grand Reading Room and is so large that Jongstra never saw it hanging in the Netherlands because her studio could not find a space large enough.
“We always make a work for the place, for the location, for the building,” said Jongstra in a 2021 artist talk. “It’s not a work in a stock list. It’s meant to be really connecting to the building.”
“Art Matters” is a series in Penn Today highlighting the many works of fine art on and around Penn’s campus.
Kristina Linnea García
Researchers, including Rahul Singh (left), in the Daniell lab’s greenhouse where the production of clinical grade transgenic lettuce occurs.
(Image: Henry Daniell)
Image: Sciepro/Science Photo Library via Getty Images
In honor of Valentine's Day, and as a way of fostering community in her Shakespeare in Love course, Becky Friedman took her students to the University Club for lunch one class period. They talked about the movie "Shakespeare in Love," as part of a broader conversation on how Shakespeare's works are adapted.
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