Members of the Penn Museum’s archeological community discuss the devastation felt over the destruction of an invaluable piece of world history.
Jacob Rivkin, an artist-in-residence for the Penn Program in Environmental Humanities and an instructor in the School of Design, will present a public art installation on the Schuylkill River called “Floating Archives,” starting this weekend. (Video)
In a creative approach to curating its next art exhibition, the Arthur Ross Gallery is opening the choice of artworks to the public through its first-ever crowdsourcing effort.
Renee Andrea Mills of the Hospital of the University of Pennsylvania has a passion for helping people and a passion for art, and for the past 25 years, she has combined both in community outreach, sharing the joy of creativity.
“Out, Out, Phosphene Candle” is one of The Sach’s Program for Arts Innovation 23 projects that received funding this spring. A collaboration between Paul Swenback, the building manager for the Institute of Contemporary Art, and Joy Feasley, the fantastical exhibit blends art, nature, and the occult at a gallery in Wisconsin, and in a forthcoming book on the exhibit.
Artists, poets, centers and professors were awarded fellowships and grants to fund future projects, installations, and various works of art that will enrich cultural programs and public art.
Fine Arts lecturer Deirdre Murphy answered a call for artists for Penn's Ecotopian Toolkit project with a piece based on the migratory patterns of birds on the Schuylkill River, right in her backyard.
Members of PennDesign faculty, along with teaching assistants and students, will have installations showcased at the esteemed Venice Architecture Biennale through Nov. 25.
The School of Design professor and chair of the Fine Arts Department discusses the challenge of designing a war memorial, and shares which memorials he finds most compelling.
For its latest exhibition, the Morris Arboretum posed a simple question to more than 100 artists who submitted concepts: What does the idea of “time in the garden” mean to you?
Peter Decherney of the School of Arts and Sciences and the Annenberg School for Communication contextualizes the impact of Garrett Brown’s Steadicam on the art of cinematography. (Video)
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Penn’s Institute of Contemporary Art has been certified by Working Artists and the Greater Economy (WAGE), an organization which helps artists and nonprofits form “self-regulating labor relationships” as they work to establish “radical equitability” in the art world.
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