Through a Penn Wellness and Sachs grant, Elana Burack, a senior religious studies major, is touring the ‘Affirmation Tree’ around campus, soliciting reflections from the University community at large.
Happening around campus this March: the world premiere of ‘Vessels’ at the Annenberg Center, a lecture on trees from China, and a visit to Kelly Writers House from reporter Emily Jane Fox.
In Making Comics, an English course for undergraduates, students learn the theory of comic books while working with others to make them—all in the name of visual literacy.
An innovative exhibition at the Arthur Ross Gallery features 50 works from Penn’s art collection chosen by the public in a crowdsourced exhibition. More than 600 people voted for their favorite to be included in “Citizen Salon,” on display through March 24.
Jenny Holzer’s landscape installation “125 Years” celebrates its 15th anniversary as an interactive text-based tribute to women’s legacies at Penn.
The Sachs Program for Arts Innovation, PennDesign, and the Institute of Contemporary Art collaborate to throw the “Paint the Dance Floor” evening party at the ICA.
With building renovations underway, the Penn Museum has freshened up its roster of fun things to do.
"Whisk" is a new cookbook aimed not just for students, but for foodies of all levels of culinary skill.
The Penn Libraries exhibition “OK, I’ll Do It Myself” with selections from the collection of alumna Caroline Schimmel features 145 books, photographs, manuscripts, artwork, and memorabilia on women in the American wilderness, even Annie Oakley’s trunk.
Members of the Penn Museum’s archeological community discuss the devastation felt over the destruction of an invaluable piece of world history.
Peter Decherney of the School of Arts and Sciences and the Annenberg School for Communication contextualizes the impact of Garrett Brown’s Steadicam on the art of cinematography. (Video)
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Penn’s Institute of Contemporary Art has been certified by Working Artists and the Greater Economy (WAGE), an organization which helps artists and nonprofits form “self-regulating labor relationships” as they work to establish “radical equitability” in the art world.
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