4/16
Louisa Shepard
Senior News Officer
lshepard@upenn.edu
Penn experts are working with The Philadelphia Orchestra to study the aerosol droplets that wind and brass musicians produce when playing. Their findings, aimed at reducing the risk of COVID-19 transmission, could help the Orchestra once again play together.
Penn Museum interns delve into “The Year of Jazz” through a monthly series of events exploring family, protest, and creativity. Music Professor Guthrie Ramsey and his singer/songwriter daughter Bridget Ramsey headline the first event on Feb. 28.
Preserving Black history in Philadelphia is an evolving dynamic of the city’s legacy.
For Niko Simpkins, a musician who performs, produces, and engineers his own tracks, the most exciting processes combine structure and flexibility, creativity, and rigor. As a third-year student in the School of Engineering and Applied Science, he sees his mechanical engineering education as a framework for problem solving that might serve him across a broad set of endeavors, and for now, he’s more interested in learning than narrowing to any one particular career path.
Glenda Goodman, an assistant professor of music, explores how hand-copying musical compositions and amateur performance shaped identity and ideas in the post-Revolutionary War period.
WXPN debuts its latest radio documentary, exploring the historical and cultural connections between Haiti and New Orleans.
After decades of superstition and pushback, the first group of women stepped onto Franklin Field with the Penn Band 50 years ago.
The Pew Center for Arts & Heritage announced 41 grants totaling $10.5 million in support of the Institute for Contemporary Art and Stuart Weitzman School of Design, and a Girard College project involving theater director Brooke O’Harra and music composer Tyshawn Sorey.
The Annenberg Center for the Performing Arts will stream, in real time, performances from its stage.
The professor of music, who won an award and released two new albums during the pandemic, discusses composition, text as music, and embracing electronic music in the absence of concert halls.
Louisa Shepard
Senior News Officer
lshepard@upenn.edu
Samantha Hill of Penn Libraries discusses the recent acquisition of two collections of archival materials by Sun Ra, a prolific jazz musician and forefather to the Afrofuturist movement.
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Jasmine Henry of the School of Arts & Sciences says that the success of Sugar Hill Records and “Rapper’s Delight,” both created by entrepreneur Sylvia Robinson, significantly contributed to mainstream acceptance of hip-hop.
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The South Asian a cappella group Penn Masala will perform at the state dinner for India’s Prime Minister Narendra Modi at the White House.
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During a tour in Chile, members of the Penn Glee Club are interviewed on a podcast of the Chilean North American Institute.
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“Be Holding,” a poetry performance that seeks to heal grieving Black families, was directed by Brooke O’Harra and composed by Tyshawn Sorey, both of the School of Arts & Sciences.
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Penn Masala, an undergraduate student group touted as the world’s first South Asian ‘a cappella’ group, is performing in Mumbai this weekend.
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