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Anthropology

Keepers of the cultural memory
An old and large book upside down on a table, being held by two sets of hands, one gloved, the other not. There are boxes and other materials all around.

Workers at the rare manuscripts and old printed books department of the Andrey Sheptytsky National Museum store them in cardboard boxes to reduce the risk of damage in the event of an attack in the western Ukrainian city of Lviv, Friday, March 4, 2022. (Image: AP Photo/Bernat Armangue)

AP Photo/Bernat Armangue

Keepers of the cultural memory

In wartime, saving human lives is a top priority. But secondary considerations often include preserving the cultural heritage also under siege. Penn experts offer their thoughts as the situation in Ukraine continues to unfold.

Michele W. Berger

Christopher Woods on his first year as director of the Penn Museum
Person standing in front of a sphinx in a museum

One year in, Penn Museum Director Christopher Woods has  continued to lead the massive transformation of the 135-year-old institution’s building while reevaluating the collection, expanding the staff, strengthening community engagement, and addressing sensitive issues through new policies.

Christopher Woods on his first year as director of the Penn Museum

Penn Museum Director Christopher Woods leads the massive transformation of the 135-year-old institution’s building while reevaluating the collection, expanding the staff and community engagement, and addressing sensitive issues through new policies.
From 2,800-year-old charred food lumps, a window into past civilizations
Kathy Morrison sitting at a computer in a lab, gesturing to grad student Moriah McKenna. They both wear white lab coats. In front of them is a computer screen with what looks like a large rock. Next to the computer is a large microscope with its light on.

Archaeologist Kathleen Morrison (center) and anthropology doctoral student Moriah McKenna discuss one of the charred lumps from a 2010 excavation in southern India. The image is possible thanks to a new microscope, seen here on the right, that takes and stitches together high-resolution images in incredible detail. (Image: Eric Sucar)

From 2,800-year-old charred food lumps, a window into past civilizations

At a site in southern India, archaeologist Kathleen Morrison and colleagues discovered the remains of two types of dough, offering insights into how the region’s dietary practices have evolved.

Michele W. Berger

Studying the past through a modern-day lens
Lynn Meskell standing in front of a glass display case at the Penn Museum.

Lynn Meskell is the Richard D. Green Penn Integrates Knowledge University Professor in the Department of Anthropology in the School of Arts & Sciences, a professor in the Department of City and Regional Planning and the graduate program in Historic Preservation in the Stuart Weitzman School of Design, and a curator in the Middle East and Asia sections at the Penn Museum.

(Image: Eric Sucar)

Studying the past through a modern-day lens

In a Q & A, archaeologist and PIK Professor Lynn Meskell discusses her background, the subjects that interest her—from espionage to World Heritage sites—and collaborations that have organically arisen at Penn despite the pandemic and a mostly remote first year.

Michele W. Berger

Briana Nichols focuses her work not on migrants, but on the people who stay
Briana Nichols stands among a group of twelve people in Guatemala.

(Pre-pandemic image) Briana Nichols with a group of young women who participated in a weekly collaborative workshop with her. (Image: Penn GSE)

Briana Nichols focuses her work not on migrants, but on the people who stay

When Briana Nichols, a joint doctoral candidate in Penn GSE and anthropology, started working within communities of extensive migration, she says the thing they cared about the most was what it took to not migrate.

From Penn GSE

Learning to listen in troubled times
People in masks talk about an exercise in listening

Ernesto Pujol leads a workshop on “Listening in Troubled Times,” part of a lecture on the topic organized by the SNF Paideia Program. (Image: Lisa Marie Patzer)

Learning to listen in troubled times

The SNF Paideia Program and partners featured Ernesto Pujol and Aaron Levy, an artist and an interdisciplinary scholar who have transformed both what it means to listen and what the act of listening can achieve as part of a lecture and workshops.

Kristen de Groot

Penn Libraries receives major gift of rare photographic plates by Edward S. Curtis
image of a Native American

“Nootka Woman Wearing Cedar-Bark Blanket”(1915). Edward S. Curtis Photography Collection, Kislak Center for Special Collections, Rare Books and Manuscripts; University of Pennsylvania Libraries. (Photo: Chris Lippa, Penn Libraries)

Penn Libraries receives major gift of rare photographic plates by Edward S. Curtis

The University of Pennsylvania Libraries has received a rare collection of 151 interpositive glass plates by photographer Edward S. Curtis (1868–1952) from collector William H. Miller III. Appraised at $4.2 million, the gift to the Penn Libraries complements holdings across the University, making Penn a major center for research and work on Curtis, one of the most prolific American photographers of the late 19th and early 20th centuries. 
Tackling the topic of decolonization
A mural on a brick wall. On the left-hand side, on a red background, are the word "Decolonize and Chill" in white. Beneath that are the silhouette of two men riding horses. On the right-hand side is a person with a horse, beneath the words "We are still here."

The mural depicted in this photograph is “Decolonize And Chill/We Are Still Here.” It is by artist and community activist Jaque Fragua from the Pueblo of Jemez, one of the federally recognized tribes in New Mexico, as well as Ishi Glinsky and Shepard Fairey. It is art created out of an ongoing decolonizing space and project called Indian Alley, in Los Angeles. (Image: By wiredforlego, licensed under CC BY-NC 2.0)

Tackling the topic of decolonization

Deborah Thomas, who runs Penn’s Center for Experimental Ethnography, and Christopher Woods, director of the Penn Museum, discuss a conference on decolonization that starts today.
‘The Stories We Wear’ puts a spotlight on fashion spanning 2,500 years
three garments in glass cases in a museum

A new Penn Museum exhibition puts a spotlight on fashion,  featuring 250 items spanning 2,500 years, including clothing, jewelry, uniforms, weapons, even tattoos. “The Stories We Wear” will be on view through June 12.

‘The Stories We Wear’ puts a spotlight on fashion spanning 2,500 years

A new Penn Museum exhibition puts a spotlight on fashion featuring 250 items spanning 2,500 years, including clothing, jewelry, uniforms, weapons, even tattoos. “The Stories We Wear” will be on view through June 12.