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Louisa Shepard
Senior News Officer
lshepard@upenn.edu
An English and visual studies double major, May graduate Amy Juang created five masks to reflect the identities of characters in novels she studied in a young adult literature course taught by Melissa Jensen.
Across a quartet of digital platforms, including one for this week’s Climate Sensing and Data Storytelling convening, the Penn Program in Environmental Humanities is encouraging public engagement and the pairing of environmental art and science on climate issues.
While Penn’s arts and culture centers remain closed, they are still finding ways to sustain connections through online collections and programs.
The Sachs Program for Arts Innovation revealed 34 new art projects from students, faculty, and staff that will receive funding.
Penn and Princeton partner to create a now-virtual symposium to explore 38 objects, including books, journals, maps, musical scores, visual art, wampum, textiles, stone tablets, and various kinds of handwork.
At the turn of the 20th century, Julian Abele and Louis Magaziner—a Black man and an immigrant Jew—were standouts in Penn’s School of Fine Arts about to launch distinguished careers in architecture. They were also beginning what would be a lifelong friendship. A Magaziner descendant and Abele admirer investigates what brought them together.
Members of the Penn culinary staff have recently released a cookbook, “The Penn Family Cookbook,” with some of their favorite family recipes.
Having come of age in New York City during the AIDS crisis, artist Sharon Hayes has always made work connected to political movements. She blends performance with installation and video to create large-scale works that explore the relationship between “the private and the public; the personal and the political.”
Eadweard Muybridge’s “Animal Locomotion” was the first scientific study to use photography. Now, more than 130 years later, Muybridge’s work is seen as both an innovation in photography and the science of movement, alongside his personal legacy as someone with an eccentric 19th century style and a dark past.
Winter welcomes a slew of new performances, lectures, and exhibits to Penn's campus, including the opening of the Arthur Ross Gallery’s latest exhibit, a celebration of Martin Luther King Jr., and a walk for wellness.
Louisa Shepard
Senior News Officer
lshepard@upenn.edu
The Institute of Contemporary Art has partnered with Taller Puertorriqueño to offer free bus service for residents of Fairhill to an ICA exhibition by North Philly native and artist David Antonio Cruz.
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A review examines the group show “Movables” at the Institute of Contemporary Art, including pieces by Ken Lum of the Weitzman School of Design.
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Penn professors, including James Pawelski and Katherine Cotter of the School of Arts & Sciences, are teaching an online class about art therapy with support from the Barnes Foundation.
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Catherine Bartch of the School of Arts & Sciences, who first encountered Roberto Mamani Mamani’s art in Bolivia, is noted for encouraging the Center for Latin American and Latinx Studies and Mural Arts to fund Mamani Mamani’s mural in Philadelphia.
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Paul Farber of the Weitzman School of Design is helping to curate “Pulling Together,” an open-air exhibition at the National Mall that will address some of the stories neglected by past monument makers.
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Philadelphia-based artist Adebunmi Gbadebo’s work, which sources materials directly from her enslaved ancestors, is on display at the Arthur Ross Gallery as part of the group exhibition “Songs for Ritual Remembrance.”
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