11/15
Louisa Shepard
Senior News Officer
lshepard@upenn.edu
“Fields of Transformation,” a monumental textile mural in the Van Pelt-Dietrich Library Center, symbolizes knowledge evolving into wisdom.
Through a Sachs Arts grant, Jo Tiongson-Perez of the Penn Museum co-authored a compilation of mostly Indigenous folktales from the Philippines.
Filmmaker Sosena Solomon, who has been filming in Africa for a major Metropolitan Museum of Art redesign, taught Documentary Ethnography for Museums and Exhibitions to graduate students this fall.
“Atmosphere and Environment XII” by Louise Nevelson, an 18-foot-high geometric steel structure, was moved to Penn’s campus from the Philadelphia Museum of Art in 2019.
A new installment in the “Art Matters” series examines “Ava” by photographer and filmmaker Shirin Neshat, on view at Perry World House.
A hand-coiled clay jar by pueblo artist Les Namingha is on view in the Penn Museum’s Native American Voices gallery. The abstract surface design references water and its use in the U.S. Southwest.
In the Annenberg Center for the Performing Arts’ Arts Lounge, the mixed-media, Afro-futurism work of Mikel Elam is on display through Feb. 18.
The Penn Chinese Calligraphy Club, formed during the pandemic, endures as a meeting ground for amateur calligraphers who value the practice as meditation and art.
The Arthur Ross Gallery celebrates its 40th anniversary with the opening of an exhibition featuring rare first-edition prints by Spanish artist Francisco José de Goya y Lucientes.
A ceramic vase with the face of the artist’s father on one side and Benjamin Franklin’s on the other is on view in the Van-Pelt Dietrich Library Center.
Louisa Shepard
Senior News Officer
lshepard@upenn.edu
“Klump,” an exhibit by Ken Lum of the Weitzman School of Design, will display photos of people in urban settings at the Philadelphia art bookstore Ulises.
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The Institute of Contemporary Art has partnered with Taller Puertorriqueño to offer free bus service for residents of Fairhill to an ICA exhibition by North Philly native and artist David Antonio Cruz.
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A review examines the group show “Movables” at the Institute of Contemporary Art, including pieces by Ken Lum of the Weitzman School of Design.
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Penn professors, including James Pawelski and Katherine Cotter of the School of Arts & Sciences, are teaching an online class about art therapy with support from the Barnes Foundation.
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Catherine Bartch of the School of Arts & Sciences, who first encountered Roberto Mamani Mamani’s art in Bolivia, is noted for encouraging the Center for Latin American and Latinx Studies and Mural Arts to fund Mamani Mamani’s mural in Philadelphia.
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Paul Farber of the Weitzman School of Design is helping to curate “Pulling Together,” an open-air exhibition at the National Mall that will address some of the stories neglected by past monument makers.
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